Sweet Corn and Nebulas

I’m ecstatic to announce that my story “Fun City” has won the Flyway Sweet Corn Prize!

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Flyway will publish the story in its Summer 2018 issue. This story is especially close to my heart because it captures the Ocean City, Md., boardwalk that I grew up with in the 90s and early aughts. From cigarette butts in the arcade to sun-bronzed bikini babes to saving quarters for ice cream from the McDonald’s drive-thru, I poured a lot of sensory childhood experiences into this piece. There are facets of myself in its narrator, Sam, as well. I can’t wait for you to meet her when the story is published. (You can follow the magazine for details.)

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Hanging out with my MFA thesis advisor (and several time Nebula winner/nominee), John Kessel.

I’m recovering from a wonderful weekend at the Nebula Awards, where I cheered on friends and superstars in every category. If you are looking for some amazing examples of work in my favorite genres, check out the nominee slate and buy some books! (You can also find many of the shorter works online for free.)

My next stop is Seattle for the summer, where I’ll be working for the Clarion West Writers Workshop. I can’t wait to get to know the Class of 2018 and meet this year’s lineup of instructors. It’s going to be great!

If anyone wants to catch me in person on the East Coast, my next big con will be the World Fantasy Convention in Baltimore this fall.

Cheers!

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Up to No Good

The Kickstarter is live for Broad Knowledge and Sharp & Sugar Tooth, two anthologies by authors of marginalized genders.

My story “Blood Sausage” appears in Broad Knowledge: 35 Women Up to No Good. On its surface, it’s the story of an engineer who falls in love with an android, but underneath, there’s so much more at work.

There are so many authors whose work I enjoy in both of these books. Please consider adding them to your shelf!

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I’ll be attending the Nebulas in Pittsburgh in May, and then it’s off to Seattle for the 2018 Clarion West Writers Workshop. This is my first year working as the workshop administrator, and I can’t wait to meet our fantastic group of students. (I’m going to be bragging about all of these writers, I just know it!)

Asides

  • The Overcast has accepted “Collectors” as a reprint, and the podcast is scheduled for release in July.
  • I’m using NC Arts Council grant funding to travel throughout Asia this summer! I’ll be visiting Japan, South Korea, Thailand, Singapore, Bali, and then Australia and New Zealand. I’m so grateful for the opportunity and can’t wait to see how I grow through these travels.

Illogicon! Jan. 12-14

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I’m paneling and reading at Illogicon this weekend! (That is, today, tomorrow, and Sunday in the Raleigh/Durham area!)

They’ve got a handy schedule, but to make this easy, here’s where I’ll be and when:

Friday

10pm – Female Body in Fantasy Fiction – Cameron
Like visual art, the female body has a long tradition of being celebrated (or objectified) in fantasy and genre fiction; what does it all mean?
Panelists: Natania Barron (M), , Julie Steinbacher, Mandy Burkhead, Nicole Givens Kurtz

11pm – Sex in Other Worlds (18+) – Smith
How do aliens… do it?
Panelists: J.L. Hilton (M), Julie Steinbacher, Natania Barron, James Maxey, Jim McDonald

Saturday

2pm – MFAs, Workshops, and Writers’ Groups: Which One is For You? – Reynolds
Do you need them and are they right for you?
Panelists: Julie Steinbacher (M), Holly Walrath, John G. Hartness, Ian Muneshwar, Margaret McGraw

8pm – Reading: Julie Steinbacher – Crescent

Sunday

11am – Moving Past the “Tragic Gay” in Storytelling – Reynolds
It wasn’t that long ago that having a queer character in a story at all was a “Dangerous Vision,” let alone a queer character that got to be happy (still weeping for you, Tara). What does the future hold?
Panelists: Ian Muneshwar (M), Betty Cross, Julie Steinbacher, Natania Barron, Sharon Stogner

If you’re planning to stop by, come say hey!

Clarion West Official

I’m ecstatic to announce that I’ll be Clarion West’s workshop administrator at the start of 2018! CW was life-changing for me: I learned writing lessons that have stuck with me and continue to shape my work; I made dear friends in near and faraway places; I began to immerse myself in SFF communities, which have opened tons of opportunities for me. I think I’d still be on the path of fiction writing even if I hadn’t attended CW, but I feel that something vital would be missing for me without this workshop and all it has given me.Clarion-West-Logo

I’ve written about Clarion West before, as have many other wonderful writers (whose posts on the workshop you should check out if you’re considering applying), so I’ll keep this brief, but I’m honored, intimidated, and excited to be a part of this experience for new writers. I also want to do my best to continue to foster an environment that is engaging, enriching, nourishing, welcoming, and supportive. I welcome feedback from anyone who has attended this workshop and particularly loved something or would like to see change. It’s my goal to do my best by all the students coming in this year. (I’m also super pumped about our 2018 instructor lineup!)

I look forward to taking on these duties at the start of the new year.

Asides

  • My story “Collectors,” published in Beecher’s Magazine, is eligible for SFF awards. Despite being published in a smaller magazine, it’s one of my favorite stories I’ve put out in the world.
  • I’m honored to have been considered for the Speculative Literature Foundation’s Diverse Writers and Diverse Worlds Grants. I was an honorable mention in both categories. I’m excited for Erin Roberts, who was awarded both grants this year!
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  • The TOC and cover reveal for Broad Knowledge: 35 Women Up to No Good is up. My SF story “Blood Sausage” is forthcoming in this collection. I’d say it’s a fitting cover 😉

Fall Update

My life has been propelled forward in some exciting ways since this summer. In August, I was notified I would be receiving a Literature Fellowship from the North Carolina Arts Council. I’m one of seven prose writers selected this year. We’ve read at Scuppernong Books in Greensboro, McIntyre’s Books in Fearrington Village, and tomorrow (October 28), we’ll read at Flyleaf Books in Chapel Hill at 2pm.

You can read my profile on the NCAC website, in which I sound very collegial and profesh. (Among other gems: “Some questions I find myself asking are, where do we draw the line at ‘human’?” Steinbacher continues. “Do love and intimacy alone humanize those of us who live at the expense of others?”) I’ve already used some of the funds to attend Nisi Shawl and K. Tempest Bradford’s online Writing Inclusive Fiction workshop.  I’ll also be making a last-minute appearance at the World Fantasy Convention in San Antonio next weekend.

“Some questions I find myself asking are, where do we draw the line at ‘human’? Do love and intimacy alone humanize those of us who live at the expense of others?”

One project I intend to support with this funding is work on a novel, which I began developing in June at the Gunn Center for the Study of Science Fiction’s SFF Novel Writers Workshop with Kij Johnson and Barbara Webb. (I’m fairly close-mouthed about it at the moment, but I may share some details once I’ve hammered them out further in the next month.) I met some amazing writers there, including R.F. Kuang, Gregory Scheckler, Becca Jordan, Caitlin Rogers, and Jake Frondorf. I also got to reconnect with the fabulous Marlee Jane Ward and M. Huw Evans.

I’ll be continuing to write short fiction and pushing out more stories that have been sitting on the back burner for some time while I was completing freelance projects over the past several months.

Once again, there is more news to come, but I’ve got to keep some secrets for now ;).

Happy fall! On my to-read list:

Got a recommendation? Comment below.

“Collectors” in Beecher’s Magazine

Issue 7 of Beecher’s Magazine arrived in the mail the other day. It includes the winners of the fiction, poetry, and nonfiction contests, and a story by me called “Collectors.” I finished this near-future science fiction story as part of my MFA thesis (where it was lovingly nicknamed “the clone story”). It’s about ownership–of art, of memories, of shared experiences, and of people.

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Here’s the first page of “Collectors.” To read more, purchase the issue.

I am honored that “Collectors” was selected as a contest finalist by Carmen Maria Machado.

I have more news to announce soon–subscribe for updates if you’d like to follow me!

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